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Veronica O’Leary
NSW
Veronica initially trained at the Victorian College of the Arts, Melbourne, and later completed a Masters in Visual Art at Charles Sturt University. She teaches art classes from her Tathra studio and works on her own painting practice. She lectured in Creative and Visual Arts at Darwin Community College, Frankston Teachers College, and the Illawarra Institute of TAFE. In December /January 2019/20 she worked as artist in residence on King Island and produced an exhibition of landscape paintings for the King Island Cultural Centre.
Her art practice has taken her to many residencies in the Northern Territory, Queensland, NSW and Tasmania and she has exhibited throughout Australia over the past 30 years. She has had solo exhibitions in the NT, NSW, Victoria, Western Australia and most recently in 2020 on King Island, Tasmania.
She lived in Darwin for 8 years and during that time was appointed as Court Artist for the ABC. Her 180 court drawings for the Chamberlain trial were purchased in 2011 by the National Museum of Australia.
Veronica’s landscape and still life paintings are informed by her dedication to the act of drawing from the natural world. She has an extensive collection of artist books kept from travels in Australia, Brazil, Samoa, Sri Lanka and Jordan and these often become the source for further developed paintings. She has been a multiple finalist in the Waterhouse Natural History Art Prize and the Mosman Art Prize. She was also a finalist in the NSW Countryscapes Landscape Award, the Noosa Gallery Art Award and the Meroogal Historic Trust Award.
In 2020 she was shortlisted as a finalist in the Glover Prize and awarded the Hangers Choice Award and the People’s Choice Award. She was also selected as a finalist for the John Leslie Landscape Prize. Her concertina book ‘A Surfeit of Tastes’ was Highly Commended in the works on paper section of the Tastes of Art, Rutherglen Art Prize.
Her base is now her coastal studio in Tathra NSW and her interest in painting landscape is a response to the environment in which she lives and works. In recent years she has explored the impact of fire on Australia’s changing landscape in a series of large oils which capture a fierce intensity and energy.
CV
Professional Qualifications
2004 M.A. Visual and Performing Arts, Charles Sturt University, Wagga Wagga
1984 B.A. Fine Arts, NT University, Darwin
1982-3 B.A. Fine Arts, Victorian College of the Arts, Melbourne
1974 Dip. Ed. Monash University, Melbourne
1972 B.A. Hons, St. Lucia University, Brisbane
Art Awards:
2022 Finalist, National Capital Art Prize, Canberra
2022 Finalist, Tacit Still Life Art Prize, Tacit Galleries, Melbourne
2021 Finalist, The Dutch Project, West End Art Space, Melbourne
2021 Finalist, Lethbridge Small Scale Art Awards
2020 Winner People’s Choice and Hanger’s Choice, Glover Prize 2020
2020 Finalist, John Leslie Art Prize, Gippsland Regional Gallery, Sale
2013 Finalist, Mosman Art Award
2011 The National Trust Meroogal Art Prize Member’s Award
2011 & 2010 Finalist The Waterhouse Natural History Art Prize,
South Australia Museum, Adelaide
2009 People’s Choice Award, John Briscoe Prize, Raglan Gallery, Cooma
2009 Finalist NSW Countryscapes, Country Energy Landscape Art Award
2007 Best Pastel Drawing, Bega Art Awards, Bega Valley Regional Gallery
2005 Best Acrylic Painting, Bega Art Awards, Bega Valley Regional Gallery
2000 Finalist Mosman Art Award, Mosman Regional Gallery, Sydney
1999 Margaret Settle Memorial Prize, Bega Valley Art Awards
1987 Zonta Woman of the Year NT, Outstanding Professional Achievement in the Arts
1983 Undergraduate Drawing Prize, National Gallery Art School, Melbourne, VCA
Exhibition History
2020 Glover Prize Finalists Exhibition, Tasmania
2020 Impressions of King Island. King Island Cultural Centre, Tasmania
2019 Bloom, Ivy Hill Gallery, Wapengo, NSW
2019 Immersed, Tacit Galleries, Melbourne
2019 Place and Identity, Spiral Gallery Bega
2018 Wild, Remote and Intimate. Paintings, Ivy Hill Gallery, Wapengo
2017 Fresh Salt. Paintings from the Four Winds Land Art Project.
ANU Gallery, ACT
2017 Swept Away – Paintings from King Island,
Tacit Contemporary Art, Melbourne
2016 Skyscapes, Ivy Hill Gallery, Wapengo
2014 Weeds to Wildflowers, Ivy Hill Gallery
2014 Noosa Art awards, Noosa Regional Gallery, Finalist
2013 Mosman Art Award Finalist Exhibition, Mosman Art Gallery
2012 Exhibition of the Chamberlain Court Drawing Collection purchased by the
National Museum of Australia, Canberra, National Museum, ACT
2012 Salon De Refuses, Shirley Hannon National Portrait Prize,
Spiral Gallery, Bega
2011 Images of Gulaga, Ivy Hill Gallery, Wapengo
2011 The Waterhouse Prize Finalist Exhibition, SA Museum, Adelaide
2010 The Waterhouse Prize Finalist Exhibition, SA Museum, Adelaide
2010 8 Artists Paint Gulaga, Bega Valley Regional Gallery
2009 Recent Works, Ivy Hill Gallery, Wapengo
2008 Memory and Myth, Raglan Gallery, Cooma
2000 Canberra Grammar Gallery, Red Hill, ACT
2000 Landscape and Lino, Raglan Gallery, Cooma
2000 Paintings and Lino Cuts, Bondi Pavilion, Sydney
1999 Paintings, Drawings and Monotypes, Framed Gallery, Darwin
1998 Floriade Exhibition, Narek Gallery, Cuppacumbalong, ACT
1998 Still Passages, Bega Valley Regional Gallery
1994 Ten New Artists, Holdsworth Galleries, Sydney
1994 Paintings, Solander Gallery, ACT
1987 Recent Works, NT Museum of Arts and Sciences, Darwin, NT
Commissions
ABC Court Artist, Chamberlain Trial, Darwin Supreme Court
Print Portfolio, Seven Spirit Bay Eco Resort, Cobourg Marine National Park, NT
Court Drawing Portfolio, National Museum of Australia, ACT
182 drawings from the Chamberlain Trial, 1982 and 12 drawings from the Coronial Inquest, 2012
Residencies
Seven Spirit Bay, Cobourg Peninsula, Arnhem Land, NT
Mulgara Gallery, Sails-in -the-Desert, Uluru, NT
Club Med, Lindeman Island, Qld
Canberra Boys Grammar, ACT
Milton Park Estate, Bowral
Publications
A Celebration of Colour, Australian Artist, No.186, Dec 1999
Lindy Chamberlain-Madonna or Witch? NT Perspective, NT University, Vol 19, No1, 1996
Notes from an Artist’s Diary, Cobourg Peninsula. Northern Perspective, NT University, Vol.19, No1,1992
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